By Matthew Sorrento. It’s invigorating to see a broad entertainment reach the heights of cinema's visual potential." While preparing the classic horror comedy Re-Animator, producer Brian Yunza had his director

By Yun-hua Chen. A natural continuation of Simon's perpetual quest to intimately connect with humans in various conditions and manifestations." From life’s inception to its inevitable conclusion, from the intricate

By Jeremy Carr. A seemingly intact image is a big lie”— This assertively obstruse line comes at the beginning of Time of Roses (Ruusujen Aika), which is itself, particularly at

By James Slaymaker. The prospect of Aster breaking away from the restrictions of a three-act generic formula may initially sound promising, offering Aster the opportunity to liberate his style and

By Thomas M. Puhr. Franklin Ritch’s feature debut hinges on its ability to make you think you’re watching one kind of movie before becoming another, and then another. If you

A Book Review by Dávid Szőke. A fascinating study that examines themes mostly, but not exclusively, central to feminist visual representations, without losing sight of the paradoxes that shade contemporary

By Thomas M. Puhr. Based on six Haruki Murakami short stories, writer-director Pierre Földes’ feature debut is an invigorating curiosity, a much-needed reminder of the emotional depths to which animation

By Jonathan Monovich. Chips away at complex meaning and eventually strikes it, despite the occasional distracting surrealism." Country Gold begins in a reverse Wizard of Oz fashion, transitioning from color