Building a Mask: Luis Ortega on Kill the Jockey
By M. Sellers Johnson. How do you through the scenes in life, with what face, with what attitude? It’s really
By M. Sellers Johnson. How do you through the scenes in life, with what face, with what attitude? It’s really
By Jeremy Carr. I realized that anything I had ever done related to silent film had just sort of handed
A Book Review by Thomas M. Puhr. Author Christopher McKittrick makes a persuasive case for celebrating the consummate professional Miles became rather than mourning the icon she never was...." It
By Jonathan Monovich. Stealing Pulp Fiction leaves Tarantino’s ambitious narrative structure behind. Instead, Turkiewicz embraces a straightforward story without twists, turns, and time warps." A so-called “thief” of film history,
By Will Comerford. The blurring of perspectives in this personal documentary reinforces how much mother and daughter are truly occupying similar psychological spaces, despite living in different decades and contexts."
By Jonathan Monovich. For its Australian setting and premise of a man’s descent into insanity, The Surfer unsurprisingly has similarities to the late Ted Kotcheff’s Wake in Fright (1971), but
By William Blick. Hysterical, soul-stirring, and bewildering...undefinable in the best sense of the word." Occasionally, I will see a film wherein I do not know where it will lead me.
By Jonathan Monovich. Conspiracies brew throughout the film and their legitimacy, though probable, becomes increasingly unbelievable, mirroring the mind’s desperation for answers....” In Dead Ringers (1988), the troubled Dr. Beverly
By Jeremy Carr. This story of hidden obsessions and malicious passions, climaxing in a scene of wild delirium, is like a bipolar soap opera and tragicomedy rolled into one subtly
By Jonathan Monovich. Vidak/Felce’s film serves as a meaningful exploration of the role that cinema and movie theaters play in our lives.” Driving through the wooded roads of Karkkila, a
By M. Sellers Johnson. How do you through the scenes in life, with what face, with what attitude? It’s really something you can’t choose. You think you can choose but you can’t.” -Luis Ortega From perceptive newcomers like Tomás Gómez Bustillo to internationally regarded directors such as Lucretia Martel and […]
A Book Review by Thomas M. Puhr. Author Christopher McKittrick makes a persuasive case for celebrating the consummate professional Miles became rather than mourning the icon she never was….” It says a lot about the fickleness of celebrity that an actress who has worked with some of the industry’s biggest […]
By Jonathan Monovich. Stealing Pulp Fiction leaves Tarantino’s ambitious narrative structure behind. Instead, Turkiewicz embraces a straightforward story without twists, turns, and time warps.” A so-called “thief” of film history, Quentin Tarantino’s style, predicated on the referential, looks to the past for influence. Tarantino has long prided himself for “stealing.” […]
By Ali Moosavi. The difficult, tumultuous relationship between Celine and Margueritte is at the core of Love Letters, while Félix Dufour-Laperrière delivers Death Does Not Exist.“ The films in the main competition section of Cannes Film Festival are the ones that get all the limelight and media coverage. Cannes however […]
By Jeremy Carr. I realized that anything I had ever done related to silent film had just sort of handed itself to me, and I leaned into that….” —Ben Model Ben Model loves silent movies. In case it isn’t obvious by his live performances, online videos and podcasts, and the […]
By Will Comerford. The blurring of perspectives in this personal documentary reinforces how much mother and daughter are truly occupying similar psychological spaces, despite living in different decades and contexts.” Why do we document? Why paint a hunt on a cave wall, or write down what Jesus or Confucius said? […]
By Ken Hall. A well-made low-budget film with characters that escape one-dimensional stereotyping….” An entertaining vehicle for Scott Adkins, Diablo casts him as Kris Chaney, an ex-convict who comes to Bogotá to rescue young Elisa (Alanna De La Rossa) from cartel boss Vicente (Lucho Velasco). Besides graphic and well-choreographed martial arts […]
By David Ryan. Aspires to explore important themes about perception and insight from a trauma-focused narrative but is often undone by its own scrimping of dramatic focus and coherence.” Uberto Pasolini’s The Return (2024) is a mature but disappointing adaptation of the last few books of Homer’s The Odyssey, centering […]
By Yun-hua Chen. All the value of images—particularly those from social networks—is deeply tied to the circumstances in which the films are created. A film like this would have been entirely different had it emerged under different conditions.” —Mohammad Rasoulof A gripping and intensely charged drama, The Seed of the […]
By Thomas M. Puhr. Coogler’s strong character work in the film’s first half undercuts his efforts to embrace pure horror in its second.” Spoiler Alert Ryan Coogler’s knack for bringing a humanist touch to a variety of genres—starting with social realism (Fruitvale Station), transitioning to crowd-pleasing sports sagas (Creed), and […]