Escaping Stereotypes: Ernesto Dìaz Espinoza’s Diablo

By Ken Hall. A well-made low-budget film with characters that escape one-dimensional stereotyping….” An entertaining vehicle for Scott Adkins, Diablo casts him as Kris Chaney, an ex-convict who comes to Bogotá to rescue young Elisa (Alanna De La Rossa) from cartel boss Vicente (Lucho Velasco). Besides graphic and well-choreographed martial arts […]

Images and Conditions: Mohammad Rasoulof on The Seed of the Sacred Fig

By Yun-hua Chen. All the value of images—particularly those from social networks—is deeply tied to the circumstances in which the films are created. A film like this would have been entirely different had it emerged under different conditions.” —Mohammad Rasoulof A gripping and intensely charged drama, The Seed of the […]

A Self-Defeating Genre Mashup: On Ryan Coogler’s Sinners (2025)

By Thomas M. Puhr. Coogler’s strong character work in the film’s first half undercuts his efforts to embrace pure horror in its second.” Spoiler Alert Ryan Coogler’s knack for bringing a humanist touch to a variety of genres—starting with social realism (Fruitvale Station), transitioning to crowd-pleasing sports sagas (Creed), and […]

You Can’t Stop a Wave: Lorcan Finnegan’s The Surfer

By Jonathan Monovich. For its Australian setting and premise of a man’s descent into insanity, The Surfer unsurprisingly has similarities to the late Ted Kotcheff’s Wake in Fright (1971), but the charm of The Surfer comes from its overt love for Frank Perry’s The Swimmer (1968)….” Though marketed as a […]

The Grotesque and the Sublime: Karan Kandhari’s Sister Midnight

By William Blick. Hysterical, soul-stirring, and bewildering…undefinable in the best sense of the word.” Occasionally, I will see a film wherein I do not know where it will lead me. It is at this time that there is often a leap of faith in putting my trust in the hands […]

An Auteur’s High Points – The Greatest Gangster Movie You’ve Never Seen: Abel Ferrara’s The Funeral

A Book Review by William Blick. A candid and insightful look into Ferrara’s creative process….” The Greatest Gangster Movie You’ve Never Seen (BearManor Media, 2025) includes a candid and insightful look into Ferrara’s creative process with behind-the-scenes access to Ferrara’s collaboration with Director of Photography, Ken Kelsch whom Stewart has […]

Now Available – Becoming Nosferatu: Stories Inspired by Silent German Horror

A new collection featuring stories and poems in the tradition of Nosferatu and other silent expressionist classics….” Becoming Nosferatu: Stories Inspired by Silent German Horror, edited by Matthew Sorrento (editor, FilmInt Online) and Gary D. Rhodes (contributing editor) is out now from BearManor Media, featuring stories and poems in the tradition of Nosferatu and other silent expressionist […]

“Pain Creates Character Distortion”: David Cronenberg’s The Shrouds

By Jonathan Monovich. Conspiracies brew throughout the film and their legitimacy, though probable, becomes increasingly unbelievable, mirroring the mind’s desperation for answers….” In Dead Ringers (1988), the troubled Dr. Beverly Mantle (Jeremy Irons) says that “pain creates character distortion.” This quote encapsulates the essence of David Cronenberg’s oeuvre. Cronenberg has […]