“Hitchcock is Grammar”: Mark Cousins on My Name Is Alfred Hitchcock

By Jonathan Monovich. A lot of people talk about the scary Hitchcock, the manipulative Hitchcock, or the anti-feminist Hitchcock, but in looking at his films I wanted to see what really were the themes and where the humanity was in his work.” Mark Cousins Mark Cousins has dedicated his life […]

The Phantom (1931): Hollywood’s First Independent Horror Movie

By Gary D. Rhodes. Even if it is not at the artistic level of many of those produced in the months, years, and decades that followed, The Phantom exemplifies ambition over vision. Its speed of production placed it in a pole position, independent of competition, let alone studios, a position […]

“The Invisible Man”: Race in Horror Films

INTERVIEW: “Racial representation in visual horror fictions have also become a trope in the way that audiences do not expect to see minorities—or at least not very often and not alive for very long. Due to long-standing tropes, minorities in visual horror fictions have become, in a sense, invisible.”

Long Live the Pope‘s Secrets!: Edward Berger’s Conclave

By Elias Savada. Berger’s take on the Catholic Church makes Conclave a thoroughly enjoyable thrill ride.” The Pope is dead; long live the Pope‘s secrets. Papal riddles abound in this most peculiar political page-turner set in the Vatican, and the hunt for answers through every nook and cranny also finds […]

Investigation of a Citizen Above Suspicion: M. Night Shyamalan’s Trap

By James Slaymaker. Shyamalan’s careful misdirection reveals much about his protagonist, the society he lives in, and the capacity of cinematic form to perpetuate dominant cultural values.” Spoilier Alert In the final sequence of M. Night Shyamalan’s Trap (2024), there’s a moment when Cooper Adams (Josh Hartnett), a serial murderer […]

Cinema without Reason: Quentin Dupieux’s Daaaaaalí!

By Jonathan Monovich. Dupieux’s Daaaaaalí! understands that to make a faithful film about Dalí it should lack convention.” Though Salvador Dalí’s paintings are far more famous than his contributions to cinema, Dalí’s peculiar signature left an indelible mark on film history as well. Dalí and Luis Buñuel’s collaboration, Un chien […]

“Old as Dirt”: Common Ground

By Jonathan Monovich. The kind of film that leaves you invigorated, full of energy, and wanting to fight the good fight.” In Joshua and Rebecca Tickell’s well-informed documentary, Kiss the Ground (2020), Woody Harrelson spoke of a solution “as old as dirt” that may help prevent humanity’s demise. The solution […]