Film International | Thinking Film Since 1973

For and Against the Grand Narrative: The Hollywood War Film by Daniel Binns »

A Book Review Essay by Matthew Sorrento. Genre studies, whether treating film genre history as evolutionary or as cycles, always has to fight the charge that genre films…

Rediscovering a “Lost Art”: How Did Lubitsch Do It? by Joseph McBride »

A Book Review Essay by Tony Williams. Any book or article by Joseph McBride is worth reading, especially in this era of mostly dismal films and an unqualified…

The Rise and Fall of Legs Diamond (1960)

The Epitome of Cool: The Films of Ray Danton by Joseph Fusco »

A Book Review Essay by Tony Williams. I initially saw this 2010 book as a main feature on this company’s web site and requested a review copy, thinking it was…

“May Well Offend” – Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics by Anthony Slide »

A Book Review Essay by Tony Williams. Deliberately described as a “provocative film scholar,” this prolific, self-educated expert in film, who has written more than 250 books in…

Beyond Genre to the Other Arts: King Hu’s Dragon Inn (1967) from the Criterion Collection »

By Tony Williams. For those really interested in the art of cinema, the achievements of King Hu (1932-1997) are comparable to others such as Bela Tarr and Andrei…

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Why the Neglect?: Lubitsch’s The Student Prince in Old Heidelberg (1927) »

By John W. Fawell. The following is an excerpt from Ernst Lubitsch’s The Student Prince in Old Heidelberg: the Art of Classic Hollywood, now available from Lexington Books/Rowman &…

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The Cinematic Form of the Football Match »

By Declan Cochran. Introduction (Pre-Match Warm-Up) Cinematically speaking, the filmed football match is a curious phenomenon, one that seems to integrate a number of cinematic techniques whilst, obviously,…

Tarkovsky’s The Sacrifice: Against All Doctrine »

By Christopher Sharrett. I have been meaning for some time to put pen to paper about Andrei Tarkovsky, about whom I’ve been hesitant for decades. A few remarks…

North Korea’s International Movie Co-Productions, 1985-2012 »

By Johannes Schönherr. Kim Jong Il, the son of North Korea’s founder and Great Leader Kim Il Sung, went early in his youth in the direction of eventually…

Defying Ideology (and the Academy) – Mr. Novak: An Acclaimed Television Series by Chuck Harter »

A Book Review Essay by Tony Williams. When recovering from reviewing lesser works by well-established publishers, whether direct-to-library or university presses, it is often a welcome relief to…

Hefting the Masterpieces: Filmworker »

By Elizabeth Toohey. Do we really need another Stanley Kubrick documentary? There’s the comprehensive Stanley Kubrick: A Life in Pictures (2001), with its reverent celebrity talking-heads – Tom…

Festival Reports

Groundbreaking and Dated: TriBeCa 2018 »

By Michael Miller. The 17th Tribeca Film Festival unspooled April 18 – 29, 2018 across seven venues in Manhattan. The festival celebrates storytelling whether in the form of narrative features, documentary, virtual reality and…

By Martin Kudláč. For some time, Berlinale has been grooming its image as a political film festival. Its 2018 edition, which is its current director’s penultimate edition in charge as Dieter Kosslick is to…

By Robert Buckeye. The centenary of the formation of Czechoslovakia and the half century commemoration of the Prague Spring transformed Art Film Fest in Košice, Slovakia (15-23 June) this year into a seminar…

By Janine Gericke. I’ve been going to the San Francisco Silent Film Festival (SFSFF) for ten years. My first introduction to the festival and the Castro Theatre was Buster Keaton’s 1923 film Our…

By Gary M. Kramer. The 2018 AFI Docs Film Festival screened over 90 features and shorts in Washington, DC and Silver Spring, MD. The films tackled topical issues such as the plight of…

By Ali Moosavi. It is very unusual for Cannes, or indeed any film festival that I care to remember, to provide a warning in the festival program for a particular film. In Cannes…

By Gary M. Kramer. The 20th Maryland Film Festival, held at the Parkway Theater and various additional venues in Baltimore, took place May 2-6. The program included more than 100 features, documentaries, and shorts.…

By Ali Moosavi. The honor of opening the 71st Cannes Film Festival went to the Iranian director, and multi Oscar winner, Asghar Farhadi’s new film Everybody Knows. This thriller stars the real-life couple Javier…

Interview

Casey Wilder Mott on Revis(it)ing A Midsummer Night’s Dream »

By Tom Ue. Casey Wilder Mott served as Director of Development for Flashlight Films, a boutique film finance company…

By Tom Ue. Israeli-born film director and video artist Ofir Raul Graizer lives and works in nexus of Berlin,…

By Travis Merchant. In today’s age of fake news, constant debates, and online videos that depict two sides arguing…

By Daniel Lindvall. S|T|R|A|Y|S, described by its makers as “a living graphic novel,” portrays a cross section of contemporary…

By Tom Ue. With more than 900K followers on Instagram alone, writer and director Max Emerson uses his social…

By Tom Ue. Bob Farkas took the biggest gamble of his life when he became, at the age of 53,…

By Tom Ue. Serge Bozon’s latest film Mrs. Hyde follows the plight of a science teacher at a technical…

By Ali Moosavi. When discussing world cinema, Kazakhstan is not a country which immediately springs to mind. Like many of…

By Gary M. Kramer. América, directed by Erick Stoll and Chase Whiteside, is a lovely, poignant meditation on eldercare.…

By Tom Ue. Emmy Award-winner Jeffrey Schwarz’s many documentaries include Tab Hunter Confidential (2015), about the 1950s heartthrob and movie…

By Ali Moosavi. Many film aficionados’ first memory of Thailand dates back to the 1956 film The King and I…

Mark A. Vieira: Dear Dr. Williams: Your review is fair and accurate. I just read Dr. Slide’s book (in one...
Tony Williams: Another astute analysis. The concluding words of the Robert Ryan character in EXECUTIVE ACTION (1970),...
Tony Williams: The editors of ASIAN CINEMA have informed me that a special issue devoted to King Hu will appear in...
christopher sharrett: Tony, I must look into him. Thanks for this.
christopher sharrett: Rob, Thanks much.

Review

Broken, Yet Living: Memoir of War (La Douleur) »

By Elizabeth Toohey. Sometimes, on my weirder, darker days, I fantasize about being the architect of a purgatory. There, I would place Mark Zuckerberg – who has lately said he…

The Cinematic Poetry of Cielo »

By John Duncan Talbird. Since 1982’s Koyaanisqatsi (dir. Godfrey Reggio), time-lapse photography has become a convention, sometimes to the point of cliché. Still, we’re stunned every now and then by its…

Telling Tales: The Company of Wolves by James Gracey »

A Book Review by Jeremy Carr. James Gracey’s Devil’s Advocates entry on The Company of Wolves (Auteur Publishing, 2017) does everything a book of its scope should do. In about…

Shifty Business: Pound of Flesh »

By Alex Brannan. After gaining attention in Lindsay Anderson’s if… (1968), legendary character actor Malcolm McDowell jump-started his career with a pair of films that embellished moral ambiguities as they pertain to…

Gothic Grotesque: Aristide Massaccesi’s Death Smiles on a Murderer (Arrow Video) »

By Jeremy Carr. Highlighting the Arrow Video Blu-ray of Death Smiles on a Murderer (also known as Death Smiled at Murder) is a video essay by Kat Ellinger. In this roughly…

A Child Custody Thriller »

By Janine Gericke. Xavier Legrand’s Custody (Jusqu’à La Garde) is a child-custody thriller. And, the word “thriller” doesn’t usually come to mind when thinking about custody battles. But, that’s just what this…

A True Beauty: Chained for Life »

By Elias Savada. A piece of the infamous “Gooble Gobble” carnival communal wedding chant from Tod Browning’s Freaks (1932) isn’t the only ditty from that horror classic paid homage to in…

Political and Literary Exile: Nicolas Pariser’s The Great Game »

By Thomas Puhr. Is the pen indeed mightier than the sword, as Bulwer-Lytton’s adage would have us believe? This ever-prescient question drives writer-director Nicolas Pariser’s 2015 feature debut, The Great…

Forgotten “Final Girls”: The 1990s Teen Horror Cycle by Alexandra West »

A Book Review by Alex Brannan. In Men, Women, and Chainsaws (1992), Carol J. Clover takes a critical look at horror and exploitation films of the 1970s and 1980s that were…

The First Purge: State of the Nation »

By Christopher Sharrett. One would think that the fascination with apocalypse in cinema peaked, perhaps, in the late 70s-early 80s, with the disaster films of the era, or the Mad…

The Lodgers: The Specter of History »

By Alex Brannan. “Be in bed by midnight’s bell. Never let a stranger through your door. Never leave each other all alone.” These are the rules that define the lives…

Wake Up at the Back There! It’s Jimmy Edwards by Anthony Slide »

A Book Review by Tony Williams. The name of Jimmy Edwards (1920-1988) may not be familiar to American audiences, let alone contemporary British ones, except for those tuning in to…

Follow That Dream: Eugene Jarecki’s The King »

By Jeremy Carr. Embracing a road trip structure, which is always conducive to a film concerning self-reflective journeys of the soul, Eugene Jarecki’s The King takes as its meditative subject not…

They Feud (Again): Under the Tree »

By Thomas Puhr. One may argue that the “feuding neighbors” subgenre is overdone, having been explored in films like John G. Avildsen’s Neighbors (1981), Danny DeVito’s Duplex (2003), and Nicholas…

Between Fantasy and Reality: A Matter of Life and Death (1946) from the Criterion Collection »

By Tony Williams. One can never have too much of a good thing and the successful works of The Archers defines this cinematically. After the long overdue recognition delivered to…

Conflict, Dissension, and Collaboration – Nope, Nothing Wrong Here: The Making of Cujo, Written and Edited by Lee Gambin »

A Book Review by Tony Williams. This book is an excellent addition to the Bear Manor Media repertoire. Written by an independent film historian as a tribute to a film…

Weird Science: Three Identical Strangers »

By Elias Savada. I’ve been told, at rare moments throughout my life, that I look just like someone else, other than my dad or a close cousin, of course. Usually, if…

John Waters, Respectably Vile Again: Female Trouble (Criterion Collection) »

By Gary M. Kramer. John Waters has achieved respectability (again). After 2016’s successful Criterion Collection release of Multiple Maniacs, the premier film snob’s publisher of classics on Blu-ray/DVD has now…

The Paradox of Vivienne Westwood – Westwood: Punk, Activist, Icon »

By Elizabeth Toohey. Is the designer Vivienne Westwood anti-establishment or is she the establishment? Is she iconoclast or icon? More to the point, has her fashion been subversive, a form…

Perfectly Partial: Víctor Erice’s El Sur (Criterion Collection) »

By Jeremy Carr. Writer-director Víctor Erice can be forgiven if he speaks of El Sur (newly released by the Criterion Collection) with more than a tinge of regret. This 1983 feature,…

New Directions Emerging: Orson Welles in Focus, Edited by James R. Gilmore and Sidney Gottlieb »

A Book Review by Tony Williams. During and since the time of Welles’s Centenary, many fine books and articles have appeared re-evaluating the work of a director once popularly regarded…

By Elias Savada. There’s an unsettling blandness flowing through The Catcher Was a Spy, a well photographed and impressively designed film about a…

By Thomas Puhr. Paul Schrader takes Christianity seriously: no small feat, given that many “Christian” movies today are of the schmaltzy, Sunday…

By Christopher Sharrett. As the end credits roll for Ari Aster’s horror film Hereditary, we hear Judy Collins sing her hit song…

A Book Review by Louis J. Wasser. Scott Edwards’s new book (McFarland, 2018) is anything but a garden variety biography of an…

By Jeremy Carr. As noted by no less an authority than Mr. MonsterVision himself, Joe Bob Briggs, to distinguish a good Herschell…

By Elias Savada. One way or another, I always seem to get a plastic high when watching a film with an old…

By Janine Gericke. I’ll start by saying that The Gospel According to André is a delightful film about a delightful human. The…

A Book Review by Anthony Uzarowski. Whenever one sets out to write a book about a real-life person, be it a traditional…

By Elias Savada. I’m a latecomer to the work of South Korean filmmaker Hong Sangsoo, but I recently caught Night and Day (2004)…

By Elias Savada. The word “breathtaking” doesn’t do justice to Australian documentarian Jennifer Peedom’s Mountain. It’s so far beyond that. The manner of…

By Christopher Sharrett. I have commented on this site at length on Cristian Mungiu’s masterpiece Beyond the Hills (2012), and while it…

By Elias Savada, In a galaxy far, far away, veteran multi-hyphenate filmmaker Ron Howard has directed Solo with a sure, reliable hand, cobbling…

By Janine Gericke. Sebastián Lelio’s Disobedience is a frustrating film. Not because of poor performances or a meandering story, but because it’s…

A Book Review by Jeremy Carr. Through the course of Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement (Amsterdam University…

By Janine Gericke. Clocking in at a cool 78 minutes, Sara Driver’s documentary Boom for Real: The Late Teenage Years of Jean-Michel…

By Elias Savada. So, as numerous superhero universes collide in worldwide multiplexes, you might wonder if there is an escalating case of…

By Jeremy Carr. Marcel Perez certainly isn’t the most renowned name in silent screen comedy. He’s likely not even among its top…

A Book Review by Tony Williams. It is frequently true that publishers like Bear Manor Media not only offer the possibility of…

By Thomas Puhr. On paper, Lynne Ramsay’s breathtaking You Were Never Really Here (2017) sounds like one of Luc Besson’s off-the-cuff side…

By Brandon Konecny. There’s a scene in Measure of a Man where Bobby (Blake Cooper) bickers with his sister Michelle (Liana Liberato) after…

The Shining (1980) A Book Review by Tony Williams. During my final year in what was soon becoming Thatcher’s “green and septic…

A Book Review by Margaret C. Flinn. In 2004, Michael Temple and Michael Witt published the first edition of The French Cinema Book (Palgrave/BFI,…

By Tony Williams. It appears very unusual to think that the debonair star we tend to think of as an actual person…

By Alex Brannan. To break it down into the simplest of taxonomies, there are two types of horror anthology film: those which…

A Book Review by Tony Williams. This concisely written and informative monograph represents a critical examination of the role cityscapes play within…

By Elias Savada. It’s fitting that this refreshing documentary starts out with the world renowned violinist Itzhak Perlman performing a rousing rendition of…

By Christopher Sharrett. I have no reservations about using a central, foundational handbook serving women as the subtitle to this piece (in…

By Elias Savada. I’ve been a fan of horror maestros Justin Benson and Aaron Moorhead ever since catching their 2012 feature debut Resolution…

By Alex Brannan. There is a critical stigma to the small subset of films that comprise the rape-revenge genre – or, at the…

By Jeremy Carr. Even if there wasn’t a compelling, underlying thesis to Hitler’s Hollywood: German Cinema in the Age of Propaganda: 1933–1945, this…

By Dean Goldberg. While I’ll admit that Pong was the last video game I had any interest in and more recently got sea…

A Book Review by Tony Williams. According to an old saying about not judging a book by its cover, the same can…

By Travis Merchant. Recently, the rise of extreme right-wing groups and individuals have done more than upset the quotidian structure to society. More often than…

By Jeremy Carr. On the day of her son’s wedding, presumably the central event of 1945, drug-addled Anna (Eszter Nagy-Kálózy) ominously observes,…

A Book Review by Dean Goldberg. While the introduction to this collection of published essays from the storied Spectator, the University of…

By Travis Merchant. A decade has passed since the beginning of an economic recession that many still feel today. The recession of 2008…

By Elias Savada. I didn’t like Max Winkler’s first feature, the dreary comedy Ceremony (2011), a quirky tic of a wedding crasher…

By John Duncan Talbird. In the opening of the new documentary, Leaning Into the Wind, artist Andy Goldsworthy tours a small home in…

By Elias Savada. Children dealing with their fears – although not those anxieties normally associated with horror genre tropes like The Dark, Loud…

By Jake Rutkowski. The process of interpersonal grievances and small-scale ironies rippling out into matters of national security is at this point a…

By Elias Savada. If I were a 12-year-old girl (particularly one of color), I probably would be anxiously awaiting, with all my BFFs,…

By Anthony Uzarowski. Hedy Lamarr was a movie star for whom the term glamour might have been invented. As far as celluloid goddesses go,…

By Elias Savada. In case you’re not feeling enough dread after watching Natalie Portman push her way through The Shimmer in the…

A Book Review by Alex Brannan. When James Quandt coined the term “New French Extremity” in a piece for ArtForum, he referred…

By Elias Savada. The Mummy was a huge, expensive flop last year, and relics of the archaeology digs genre are still up and…

By Jeremy Carr. It takes a sustained suspension of disbelief to accept what is tendered by Tomorrow is Forever. To permit the premise…

By Devapriya Sanyal. Alankrita Srivastava’s Lipstick Under My Burkha looks at the lives of four women who live in Hawai manzil: Bua ji, who…

A Book Review by Louis Wasser. “I’m the last of Hollywood’s dinosaurs.” – Jean Negulesco (124) Although, in retrospect, the stars seemed…

By Elias Savada. There have been plenty of movies that have skewered the sunbaked air of Los Angeles and the strange people who…

By Elias Savada. Russian-born and German-trained Alisa Berger shows off her experimental and artistic tendencies in The Astronaut’s Bodies, a graduation project…

Unlovely Spectacle: D.A. Miller on Call Me By Your Name »

By David Greven. An exchange I had with an older, straight, white academic in Film Studies serves as an instructive example of…

By Christopher Weedman. Among the most impressive film restorations of 2017 was Marcel Pagnol’s Marseille Trilogy (1931-36), which I reviewed last March…

A Book Review Essay by Jeremy Carr. Alexia Kannas’ Deep Red (Columbia University Press, 2017), her contribution to the Wallflower Press Cultographies series,…

By André Seewood. Every weekend numerous websites inform us of the short term box office grosses of various films like Star Wars: The…

A Book Review Essay by Tony Williams. Captain Hornsby: “What an extraordinary fellow!” Colonel Thompson: “Well, he’s an American.” – Too Late the…

A Book Review Essay by Tony Williams. If Dr. Johnson had James Bosworth as his chronicler in the inimitable The Life of…

A Book Review Essay by John Duncan Talbird. There are snowy peaks all around, majestic crests, and the mountains tower like Holy Cathedrals.…

By Matthew Sorrento. After the release of his horror-comedy Re-Animator (1985), debuting filmmaker Stuart Gordon was very conscious that the film would…

By Tony Williams. 1946 was an “annus mirabilis” (“amazing year” for those who never studied Latin) for American, British film noir, and…

By Tony Williams. Following the release of several new remastered DVDs after the 2015 Orson Welles Centenary and the expected completion of…

A Book Review Essay by Jeremy Carr. “Even today, I’ve no idea what the truth is, or what I did with it.”…

By Tony Williams. This is the moment when the Italianization of the Western was complete. –Alberto Moravia, quoted by Christopher Frayling As…

By Christopher Sharrett. One of the characteristics of our militarized society, aside from the constant deluge of cop shows, superhero movies, and…

By Christopher Weedman. Walter Matthau (1920-2000) was among Hollywood’s most charismatic stars of the late 1960s and 1970s. During this fascinating period…

By Christopher Sharrett. I count Michael Haneke’s The Piano Teacher (2001) among his supreme masterpieces, along with Code Unknown (2000), Cache (2005),…

By Johannes Schönherr. New York City, June 27th 1993: Notorious punk rocker GG Allin had finally served out a lengthy prison sentence in…

A Book Review Essay by John Duncan Talbird. David Simon’s television series The Wire ran on HBO from 2002-2008, five seasons of a…

By Devapriya Sanyal and Melissa Webb. The Indian film critics have done it again! As Glover and Kaplan state in their book Genders, the term “gender”…

A Book Review Essay by Tony Williams. It is as if in movies, TV and books, genre progresses through a series of…

By Heather Hendershot. One week after Donald Trump’s inauguration, Sinclair Lewis’s It Can’t Happen Here reached the #9 position in book sales on Amazon. Brave…

A Book Review Essay by Matthew Sorrento. It may be tempting to recommend Scarface (1932) or Little Caesar (1930) as a first…

A Book Review Essay by Tony Williams. Many decades ago I heard a comment made by a respected scholar, and affirmed by…

by John Andrew Gallagher. Tay Garnett and and writer Howard Higgin spent the months of February and March, 1930 on Catalina Island…

By Christopher Weedman. The Criterion Collection deserves to be commended for their continued efforts to bring greater attention to the underappreciated films…

By Christopher Sharrett. Readers will note that my title derives from essays and certain phrases by Matthew Arnold, T. S. Eliot, F.…

By Brandon Konecny. It has been suggested, sometimes by Moldovan film professionals themselves, that cinema does not currently exist in the Republic…

By Orville Lloyd Douglas. Black people are still mentally enslaved; even in the 21st century there is a psychic need by some…

By Tony Williams. As I write, hours tick away for the latest unimportant event in film history – the Hollywood Academy Awards…

By Christopher Weedman. The past couple of months have been full of rich rewards for admirers of the late Abel Gance. This…

By Anthony J. Steinbock. The Maltese Falcon is often considered to be the first film noir of the classical noir period (beginning…

By Johannes Schönherr. The Lovers and the Despot, a 2016 documentary by British directors Robert Cannan and Ross Adam, tackles an especially…

By Christopher Sharrett. I have always thought that John Sturges’s 1960 Western The Magnificent Seven has suffered too unfavorably in comparison to…

By Tony Williams. Although this special Criterion three film DVD set has been available since 2008, it is only recently that I…

By Tony Williams. Long awaited by many, following either unavailability or dubious accessibility via duped 16mm copies, unwatchable VHS copies, and bootlegged…

By Ramin S. Khanjani. Of all directors associated with the pre-1979 “Iranian New Wave,” Nosratallah Karimi probably presents one odd case for…

By Christopher Sharrett. I have been meaning for some time to put pen to paper about last year’s superb achievement by Laszlo…

By Michael Betancourt. Michael Morris’ expanded cinema performances, Second Hermeneutic (2013) lasting approximately nine minutes, and Third Hermeneutic (2014) lasting approximately eleven minutes,…

By Tony Williams. “She was so much more than the Green woman in Star Trek” (George Pappy DVD audio-commentary). “What I knew I…

By David Ryan. Before United 93 opened ten years ago, the film’s previews were greeted with varying degrees of stress and grief.…

By Anthony Uzarowski. The 1950s are often seen as the time of Hollywood’s greatest splendour, yet the reality of the time was…

For and Against the Grand Narrative: The Hollywood War Film by Daniel Binns »

A Book Review Essay by Matthew Sorrento. Genre studies, whether treating film genre history as evolutionary or as cycles, always has to fight the charge that genre films are conservative…

Rediscovering a “Lost Art”: How Did Lubitsch Do It? by Joseph McBride »

A Book Review Essay by Tony Williams. Any book or article by Joseph McBride is worth reading, especially in this era of mostly dismal films and an unqualified plethora of…

The Epitome of Cool: The Films of Ray Danton by Joseph Fusco »

A Book Review Essay by Tony Williams. I initially saw this 2010 book as a main feature on this company’s web site and requested a review copy, thinking it was a new…

“May Well Offend” – Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics by Anthony Slide »

A Book Review Essay by Tony Williams. Deliberately described as a “provocative film scholar,” this prolific, self-educated expert in film, who has written more than 250 books in the area…